Presenting the Santa Baby 99ers Christmas Unemployment Song, or The Santa Baby 99ers Song, on Christmas Eve.
Donalee King (in photo from Zennie62.com), who goes by Paladinette, at Zennie62.com, created this variation of the classic Christmas Song Santa Baby.
King, a blogger who also has her own blog called Jobless Unite, is one of the so-called "99ers," those who's unemployment benefits have ran out after the 99-week limit, and seek an extension of benefits, or better yet, a job.
In seeking both, the San Diego resident has become a tireless advocate for the jobless. Her work on this song landed her notice by the LA Times.
The video is below, followed by the lyrics, which are graphic but worth reading and singing...if you dare!
(In fact, if you're in Oakland, California, print out the lyrics, take them down to The Alley at 3325 Grand Avenue, present them to Rod Dibble at the piano, and ask he would accompany you in song. Santa Baby is a song he knows how to play.)
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2022 Academy Women’s Luncheon in Los Angeles
The Academy of Motion Picture Arts and Sciences, in partnership with CHANEL, hosted the 2022 Academy Women’s Luncheon in Los Angeles , bring...

Friday, December 24, 2010
Wednesday, October 06, 2010
Facebook status promotes breast cancer awareness By Nikky Raney
Courtesy of NY Daily News |
Along with the many Facebook statuses saying, "I like it on the floor," there are almost as many which ask, "Why does everyone's status say 'I like it on the floor?'"
October is Breast Cancer Awareness month - this viral Facebook status trend is meant to raise awareness of breast cancer. Although "I like it on the floor" may seem to be leading to something sexual, but really it is referring to a purse or handbag according to a blog from The Washington Post.
There have been many types of breast cancer awareness campaigns that have been questionable (like the ads with the body paint), but this one seems to be more tame than "Save the Tatas."
Time Magazine online explains how unusual this method to raise awareness truly is comparing this status to the one that had gone viral last year:
Remember last year's Facebook campaign where all of your lady friends suddenly had status updates like “Black,” “Red,” or “Polka dots” and no one had any clue what was up? Oh, but then word got around that the updates were the bra colors of choice and the updates were meant to peak interest of those left out of the joke (read: males) in order to raise awareness about breast cancer. Um, ok?
The appeal of posting the status is that it will confuse those who don't already know what it is referring to - which will cause the person to get educated in order to figure out why these statuses are being posted. Clever.
The appeal of posting the status is that it will confuse those who don't already know what it is referring to - which will cause the person to get educated in order to figure out why these statuses are being posted. Clever.
Friday, October 01, 2010
Easy A is more than a teen comedy By Nikky Raney
Courtesy of USA Today |
Easy A can be compared to a present day John Hughes film, with Olive resembling a Molly Ringwald character. The tone of the film is complete sarcasm; the majority of the dialog is all sarcasm based featuring witty one-liners. The movie keeps the audience engaged and laughing throughout its entirety.
In Olive’s English class the book The Scarlet Letter by Nathaniel Hawthorne is analyzed, and Olive gets very involved with the story line. After the extremely religious Marianne, Amanda Bynes, hears Olivia make up a story to her best friend Rhiannon, Aly Michalka, about losing her virginity Marianne suggests that Olivia embroider an “A” onto her wardrobe (like Hester Prynne from The Scarlet Letter). The movie pokes fun at Christianity and could possibly be offensive to Christian viewers (but then again the entire movie is based around a girl lying about sleeping around).
The relationship between Olive and her parents is one that most teenagers would love – the sarcasm and witty punch lines are never ending when it comes to Olive, her parents and her adopted brother. At one point her brother, who is black, says that he will not have to worry about the genetics being passed down since he was adopted. The response from the father is, “How did you find out you were adopted?”
Without giving away too much Olive’s reputation grew once she went to a party and pretended to have sex with her friend Brandon, Dan Byrd, who is gay so that the other students would no longer pick on him for his sexual orientation. The two lock themselves in a bedroom and jump on the bed making noises so that the act is believable.
After this more and more boys find out that Olive is letting boys lie about doing things with her and Olive is offered gifts and money. Olive’s reputation gets so out of hand that she buys lots of sexy lingerie and embroiders an “A” onto every piece.
Penn Badgely plays the role of "Woodchuck Todd," Olive's long time crush, and he was Olive's first lie; when they were in eighth grade during a party the two were locked in a bedroom and expected to kiss, but Todd was not ready. Olive agreed to tell the rest of the party that the two had kissed when in fact they had not.
There is much more to this movie than what has been touched upon. Out of five stars this movie is about a four - the comedy is entertaining and is able to poignantly capture the feelings that teenagers feel in high school, but it is easy to get annoyed with how overly quirky and cartoony the characters are.
By Nikky Raney
Journalist & Blogger
Also posted on The Future of Journalism
Sunday, September 19, 2010
Academy News: AMPAS Says Oscar Red Carpet Drawing Ends Tonight
You can get a seat over The Red Carpet at The Academy Of Motion Picture Arts And Sciences (AMPAS) Presentation of The 2011 83rd Annual Academy Awards by entering a randow drawing, right now at www.oscars.org/bleachers. The drawing, which has been active for the last week allows you to be one of the select 700 people to be there live at the Academy Awards' premier pre-event, event.
AMPAS reports:
Hurry up. It all ends at 9 PM PDT tonight.
AMPAS reports:
To be eligible for the random drawing, an individual must complete the application form in its entirety. Applications may only be submitted online. Forms may not be returned via any other method.
Applicants may register for themselves and one guest. Duplicate registrations will not be accepted.
Those whose names are selected in the random drawing will be notified in late September. They will then be required to submit additional information for security purposes prior to final approval. Eligible attendees will receive a confirmation letter in early January with information pertinent to the event.
Only those individuals who have been pre-approved by the Academy will have access to the bleachers. Those who wait overnight to attempt admittance will not be granted entry.
The Academy will not be responsible for securing travel and/or hotel accommodations for bleacher fans.
In previous years, as many as 20,000 fans have applied online for the limited number of red carpet seats.
Academy Awards for outstanding film achievements of 2010 will be presented on Sunday, February 27, 2011, at the Kodak Theatre at Hollywood & Highland Center, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.
Hurry up. It all ends at 9 PM PDT tonight.
Thursday, September 16, 2010
3D Summit - Jeffrey Katzenberg Blasts 2D to 3D Movie Conversion
Note: Jeffrey Katzenberg Blasts 2D to 3D Movie Conversion at 3D Summit - This is 13:11 of a 14 minute speech. This video blogger elected to upload all of what I has, rather than edit it. At first, The plan wasn't to record all of his speech, but when it seemed that, just 30 seconds into the speech, Jeff was going to throw and land a haymaker, plans changed. To be candid, the final two minutes have micro-jumps only because of the editing system used vs the computer's random access memory (RAM) that was consumed to take such a large file all at once - need more RAM. But I wanted you to see what I had, rather than lop it off.
Tuesday, September 07, 2010
Mad Men: The Suitcase - Don Draper Is A Racist, Deal With It
Will Don Draper's door ever open for blacks? |
Thus, when this blogger asserts that Don Draper, the lead character well-played by John Hamm, is racist, some have a hard time dealing with that observation. Others might point to Mad Men creator Matt Weiner's claim that his work is one of "science fiction," except that Weiner admits the atmosphere of Draper's office is overtly sexist and racist.
Thus, Don Draper himself is racist.
Take Mad Men: The Suitcase. In fact, you should because it's great television. The overall storyline is really about two people, Don Draper and Peggy Olson, who's work lives are a cover for their damaged selves. Draper has only his work. Peggy wants to get more recognition from her work. But Draper's also a boxing fan, and here's where his watered-down racism reveals itself.
Draper issues the standard predominantly white fears of the man we call Muhammed Ali, who was then called Cassius Clay. Draper complained that Ali always boasted. Draper wanted Liston to win because, essentially without saying it, Liston was the "good Negro," the person that wasn't threatening to Draper's World view, which has blacks in a certain place.
Draper has not faced a black character who was his 1960s equal: someone who was smart enough to establish their own firm to help companies market to blacks. There's nothing in Draper's makeup, and the Liston remarks confirm this, that indicates he could work with someone black who was his equal.
In reality, anyone who was a white male ad exec in the mid-1960s New York city could not get their by being a 21st Century non-racist. The fact is the Civil Rights Amendment was passed in 1964. It forbade discrimination in the workplace, in public schools, and in voting registration. Now, just because a law is passed does not mean businesses are automatically going to follow it immediately.
Unless Don Draper was out marching for civil rights, and hired black interns or had a black girlfriend, it's fantasy to think Draper wasn't racist. Indeed, it would be inaccurate to the period to present him as not having racist views, yet achieving that level of success.
Remember, Draper's firm has yet to hire an African American at any level above servant, and if they do, you can bet on this: that person's hire will be controversial and what that person has to do to remain at the firm - what they have to deal with on a daily basis - has to be a part of that story line if Mad Men is to be believable.
If such a hire happens it would have to be approved by Draper. If Draper does so, it would have to be only after he overcame a set of racial personal demons himself. It would not - or should not - happen in one episode. In short Don Draper would have to overcome his own racism.
Remember, it's the times. They were racist to an extreme by today's standards. The biggest problem is that many of fans of Mad Men weren't born at that time; this blogger was.
Which drives me to write this blog post. The simple fact is that even with that racism, the 1960s were a time of pioneering achievements by blacks in the ad World. As was pointed out in Racialicious:
It’s unlikely Mad Men will acknowledge executives for Pepsi-Cola—led by men including Edward F. Boyd—pioneered marketing to Black consumers in the 1940s and 1950s. Or the late Vince Cullers of Chicago launched the first Black advertising agency in 1956, while Luis Díaz Albertini founded Spanish Advertising and Marketing Services, the first Latino shop, in 1962. Hell, even Alex Trebek won’t recognize such trivia.
The other biggest problem is that television "critics" - either because of their own blindness to racism and institutional racism or because they want to pretend racism doesn't exist by not mentioning it - have written that Mad Men got the 1960s right. TV Critic Tom Shales committed this display of ignorance when he wrote "Details of the period, however, are nicely captured" when Mad Men was introduced in 2007.
He means details like the furniture; Shales left out the dirty issue of people and society in Mad Men. The simple fact, is that save for Draper quizzing a black waiter on cigarettes, which says more about Don's desire to get information from any source than how he feels about African Americans, Mad Men has not addressed the issue of American racism toward blacks. That was the defining issue of the 1960s.
Toward A Better Mad Men
At first, I must admit, I didn't pay attention to Mad Men because I thought it was going to be a fake-period-piece that didn't hire non-white actors for anything more than five lines at best. Now, I see it as a potentially useful show that can demonstrate not just the similarities but the differences between race in the 1960s and today.
The burden of proof that Don Draper's not racist is on those who would have to rewrite the history that was the 1960s. Those fans have to accept what President Lincoln said are "the hard facts that created America," and those that continue to shape it.
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