The Balboa Theatre (www.BalboaMovies.com ) is showing all the Oscar-nominated documentary shorts through Thursday. Our own Dan Krauss and Steve Okazaki will be speaking after select screenings.
Through Thursday, March 9:
THIS YEAR'S OSCAR NOMINATED SHORT DOCUMENTARIES
The rarely seen short documentary category hits the big screen. All 4 nominated shorts on one program. Filmakers in person. Details below.
The Mushroom Club -Steve Okazaki examines the terrible personal toll that followed the bombing of Hiroshima 60 years ago; 10 people whose lives were marked by the explosion are profiled. 35min.
A Note of Triumph: The Golden Age of Norman Corwin -Corinne Marrinan and Eric Simonson explore the lasting impact of radio broadcasting legend Norman Corwin's work focusing on his landmark "On a Note of Triumph," which aired on the evening of VE Day. 40min. OSCAR WINNER (2:55), 5:45, 8:35
The Death of Kevin Carter: Casualty of the Bang Bang Club -Dan Krauss- After shooting an award-winning photograph that captured the full horror of starvation in the Sudan, South African photojournalist Kevin Carter found himself tormented by doubts about the ethical implication of his work. 27 min
God Sleeps in Rwanda - Kimberlee Acquaro and Stacy Sherman - The genocide that devastated Rwanda in 1994 also left in its wake a population that was suddenly 70% female. Five courageous women struggle to rebuild their lives in a society still reeling from its bloody recent history. 30min. (1:40), 4:30, 7:20
Intermission between each pairing. -
One admission price for all 4 films.
DIRECTORS IN PERSON:
Dan Krauss, director of THE DEATH OF KEVIN CARTER
will speak Wednesday after the 7:20 showing.
Steve Okazaki, director of THE MUSHROOM CLUB,
will speak Thursday after 8:35 showing.
More information on the nominees:
Oscar.com
BALBOA THEATRE
3630 Balboa Street at 37th Avenue.
San Francisco, CA 94121
(415) 221-8184
http://www.BalboaMovies.com
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2022 Academy Women’s Luncheon in Los Angeles
The Academy of Motion Picture Arts and Sciences, in partnership with CHANEL, hosted the 2022 Academy Women’s Luncheon in Los Angeles , bring...
Wednesday, March 08, 2006
Monday, March 06, 2006
Ang Lee At The Governor's Ball Last Night
In this photo from Oscar.org, Ang Lee's spotted with movie producer James Schamus and Schamus' wife.
For the 12th year, Wolfgang Puck provided the food for Oscar's major party. What did they have? Well, I got this from the Menu posted online at Oscar.org:
Tray Passed Hors d'oeuvres
Spicy Tuna Tartare in a Sesame Miso Cone
Mini Prime Burgers with Aged Cheddar and Remoulade
Warm Gougeres with Potato, Cheese and Herbs
Baby Potatoes with Caviar and Chives
Steak Tartare in a Black Pepper Parmesan Cone
Smoked Salmon Pizza with Dill Creme Fraiche and Caviar
Duck Sausage Pizza with Leeks and Spinach
Four Cheese Pizza with Tomato and Fresh Basil
Antipasto Assortment
Marinated Baby Artichokes with Lemon Aioli
Tuna Tataki with Sweet Soy
Smoked Salmon "Oscar" Matzo with Osetra Caviar
Chopped Vegetable Salad
Sweet Crab Stuffed Tiny Spanish Peppers
Citrus Marinated Shrimp
Green and White Asparagus with Prosciutto
Celery Root Soup with Fuji Apples and 24k Gold
Pan Roasted Organic Chicken with Black Truffle Risotto
Dessert:
Oscar's "Sweet Fantasy"
Menu Courtesy of Wolfgang Puck
78th Annual Oscar: Ratings Down 10 Percent from 2005
This happened because the most decorated movies were not box office blockbusters. Even King Kong failed to break records, but I attribute that to it's December start.
Oscars Ratings Drop 10 Percent From 2005
Associated Press - Mar 06, 08:22
ABC is in for a "Crash" landing in the Oscar ratings.
The Academy Awards were down 10 percent from last year's ceremony, based on preliminary Nielsen Media Research ratings from the nation's 55 biggest markets. If the full national ratings follow suit later Monday, this year's ceremony will likely be the second least-watched Oscars telecast behind 2003, when "Chicago" won best picture.
The ceremony, where "Crash" won a surprise best picture trophy, drew a 27.1 rating and a 40 share. Each rating point is equivalent to 1.1 million homes, while the share indicates that 40 percent of the TVs in use last night were tuned to the awards.
Last year's metered markets had a 30.1 rating and 43 share, Nielsen said.
The ceremony's central lesson: Play a real person enmeshed in wrenching drama, win an Academy Award.
It worked last year for Jamie Foxx in "Ray" and this time around for Reese Witherspoon's portrayal of June Carter Cash in "Walk the Line" and Philip Seymour Hoffman as the glory-hungry writer in "Capote."
Sunday's Oscars were anything but predictable, however, as the explosive race drama "Crash" denied "Brokeback Mountain" the best-picture Oscar despite the gay Western love story's front-runner status and its best-director award for Ang Lee.
Oscars Ratings Drop 10 Percent From 2005
Associated Press - Mar 06, 08:22
ABC is in for a "Crash" landing in the Oscar ratings.
The Academy Awards were down 10 percent from last year's ceremony, based on preliminary Nielsen Media Research ratings from the nation's 55 biggest markets. If the full national ratings follow suit later Monday, this year's ceremony will likely be the second least-watched Oscars telecast behind 2003, when "Chicago" won best picture.
The ceremony, where "Crash" won a surprise best picture trophy, drew a 27.1 rating and a 40 share. Each rating point is equivalent to 1.1 million homes, while the share indicates that 40 percent of the TVs in use last night were tuned to the awards.
Last year's metered markets had a 30.1 rating and 43 share, Nielsen said.
The ceremony's central lesson: Play a real person enmeshed in wrenching drama, win an Academy Award.
It worked last year for Jamie Foxx in "Ray" and this time around for Reese Witherspoon's portrayal of June Carter Cash in "Walk the Line" and Philip Seymour Hoffman as the glory-hungry writer in "Capote."
Sunday's Oscars were anything but predictable, however, as the explosive race drama "Crash" denied "Brokeback Mountain" the best-picture Oscar despite the gay Western love story's front-runner status and its best-director award for Ang Lee.
"Crash" Upsets All Predictions for A "Brokeback Mountain" Sweep - Including Mine
"Crash" -- Paul Haggis' wonderful film about race relations in LA -- took home the "Best Picture" award at the 78th Annual Academy Awards, upsetting front-runner "Brokeaback Mountain" and shattering all predictions boards, including mine.
In part because of this outcome, I scored 20 of 24 correct, missing on "Best Picture", "Cinematography", "Documentary Short", and "Animated Short." But in two of those categories, I picked the front-runner, which missed on both.
I think Tom O'Neill of the LA Times called it right when he predicted this awards outcome due to homeophobia in the Academy.
More on this, and my good time at the San Francisco Academy of Friends Party, later today.
In part because of this outcome, I scored 20 of 24 correct, missing on "Best Picture", "Cinematography", "Documentary Short", and "Animated Short." But in two of those categories, I picked the front-runner, which missed on both.
I think Tom O'Neill of the LA Times called it right when he predicted this awards outcome due to homeophobia in the Academy.
More on this, and my good time at the San Francisco Academy of Friends Party, later today.
Sunday, March 05, 2006
Wonder Woman: If This Variety Article's Any Indication, I May be Right: Whedon's Too Busy for Her
See. This article shows that Wonder Woman writer / director Josh Whedon has too much on his plate to give Wonder Woman the time she needs. Yes, he has time given by the exec producers, but he lacks the passion to really get it done.
Whedon's a goner for U
Universal pacts with 'Buffy' man for spec script
By MICHAEL FLEMING - Variety.com - Thursday, Sept 22, 2006
Universal Pictures has paid seven figures for "Goners," a fantasy thriller spec script Joss Whedon wrote and will direct.
Film will be produced by Mary Parent and Scott Stuber. The studio premiered Whedon's directorial debut, "Serenity," on Thursday night at Universal City Walk. Pic opens Sept. 30.
Whedon was cryptic in describing the project, but the title conveys that it will tread on supernatural turf comparable to his series creations "Buffy the Vampire Slayer" and the bloodsucker spinoff "Angel."
"It's the story of a young woman's journey that involves a great deal of horror and some heroics," he said. "It's certainly darker than 'Serenity,' and there are a lot of left turns along the way. It is something I had in mind for a while, and it just poured out of me when I finished my film."
Timing isn't clear, since Whedon is writing to direct "Wonder Woman," the Warner Bros. film based on the DC Comics heroine. That may take some time, as Whedon started his script from scratch.
"I was given license to purely make it my own and yet she is already an iconic Amazon princess," Whedon said. " 'Goners' has some similarities, but the heroines could not be more different, and the story is a bit more intimate and less complicated than 'Wonder Woman.' "
Whedon, who began his career writing features "Speed" and "Toy Story," shuttered his TV operation this year to focus on features. He will continue to spend the majority of his time with bigscreen fare but acknowledged he has been toying with a TV project that would continue the "Buffy the Vampire Slayer" universe, focusing on Spike, the punk-haired vampire played by James Marsters.
Whedon's challenge is to figure a way to do it and be able to keep directing movies.
"Directing a film was as exciting and daunting as it was supposed to be," said the CAA-repped Whedon. "I learned a lot on 'Serenity' and hope I hid that from the audience."
Whedon's a goner for U
Universal pacts with 'Buffy' man for spec script
By MICHAEL FLEMING - Variety.com - Thursday, Sept 22, 2006
Universal Pictures has paid seven figures for "Goners," a fantasy thriller spec script Joss Whedon wrote and will direct.
Film will be produced by Mary Parent and Scott Stuber. The studio premiered Whedon's directorial debut, "Serenity," on Thursday night at Universal City Walk. Pic opens Sept. 30.
Whedon was cryptic in describing the project, but the title conveys that it will tread on supernatural turf comparable to his series creations "Buffy the Vampire Slayer" and the bloodsucker spinoff "Angel."
"It's the story of a young woman's journey that involves a great deal of horror and some heroics," he said. "It's certainly darker than 'Serenity,' and there are a lot of left turns along the way. It is something I had in mind for a while, and it just poured out of me when I finished my film."
Timing isn't clear, since Whedon is writing to direct "Wonder Woman," the Warner Bros. film based on the DC Comics heroine. That may take some time, as Whedon started his script from scratch.
"I was given license to purely make it my own and yet she is already an iconic Amazon princess," Whedon said. " 'Goners' has some similarities, but the heroines could not be more different, and the story is a bit more intimate and less complicated than 'Wonder Woman.' "
Whedon, who began his career writing features "Speed" and "Toy Story," shuttered his TV operation this year to focus on features. He will continue to spend the majority of his time with bigscreen fare but acknowledged he has been toying with a TV project that would continue the "Buffy the Vampire Slayer" universe, focusing on Spike, the punk-haired vampire played by James Marsters.
Whedon's challenge is to figure a way to do it and be able to keep directing movies.
"Directing a film was as exciting and daunting as it was supposed to be," said the CAA-repped Whedon. "I learned a lot on 'Serenity' and hope I hid that from the audience."
"Wonder Woman" Writer / Director Josh Whedon Still Working on Script After One Year
This is an excerpt from the interview from Empire, which can be read with a click on the title post. It's the only part that mentions Wonder Woman, but when I combine it with other comments of his I've seen, it reads as if he's got his time divided between the Amazon Princess and other tasks, which doesn't make for a good story. I'm concerned that he's not really committed to the project.
How about Goners and Wonder Woman? Can you tell us more about those?
Not a whole lot. I am still writing Wonder Woman. It is very awesome but incredibly unfinished, but I should be finishing that in a little while and then I’ll have a better idea of which film is actually going into production. But I can tell you that the film will be about introducing you to Wonder Woman. She'll be wearing the outfit and there will be the bracelets, the golden lasso and Greek gods. She comes from a civilisation where she's rather perfect, so she's the opposite to Buffy in many ways, but she's going through an adolescent rite of passage because she's new to the world.
2006 Independent Spirit Awards uplifts 'Brokeback'
Western nabs feature, helmer prizes
By PAMELA MCCLINTOCK - Variety.com
Ang Lee and his oater romance "Brokeback Mountain" rode off with the top ribbons at the 2006 Independent Spirit Awards on Saturday, while tyro director Paul Haggis' "Crash" took best first feature.
Although Focus Features' "Brokeback" scored as best feature and best director, the wealth was spread among a quartet of films. Receiving two awards each were "Brokeback," Lionsgate's "Crash," Sony Pictures Classics' "Capote" and the Weinstein Co.'s "Transamerica."
Indie Spirits, administered by Film Independent and held at a beachside tent in Santa Monica, came just one day before the Academy Awards, where the same pics were set to compete in an awards year dominated by smaller indie titles.
"Transamerica" star Felicity Huffman picked up the Indie Spirit for best female lead for her portrayal of a male transsexual about to become a woman.
Best male lead went to much-honored "Capote" star Philip Seymour Hoffman for his portrayal of Truman Capote.
The other "Capote" Indie Spirit went to scribe Dan Futterman for best screenplay. Award for best first screenplay went to Duncan Tucker for "Transamerica."
Matt Dillon won the award for best supporting male for his role as a racist cop in "Crash," while "Junebug" star Amy Adams was recognized as supporting actress for her role as a Chicago art dealer who visits her new in-laws in North Carolina. Pic was distribbed by Sony Classics.
Another awards favorite this season, helmer George Clooney's "Good Night, And Good Luck." picked up one Indie Spirit award, for Robert Elswit's cinematography.
Warner Independent Pictures' "Paradise Now," the Palestinian film directed by Hany Abu-Assad, won best foreign film.
Director Alex Gibney's "Enron: The Smartest Guys in the Room," from Magnolia Pictures, was voted best documentary.
The John Cassavetes Award, which recognizes the best feature made for under $500,000, went to writer-director Mora Stephens "Conventioneers" from Cinema Libre Studios. Stephens co-wrote the screenplay with Joel Viertel, who produced the film.
Sony Pictures Classics nabbed three Indie Spirit Awards, the most of any distrib. Focus, Lionsgate, TWC and Warner Independent each took two.
"Brokeback" producers are Diana Ossana and James Schamus. "Crash" producers are Cathy Schulman, Don Cheadle, Bob Yari, Mark R. Harris, Bobby Moresco and Haggis.
And the winners are...
BEST FEATURE
"Brokeback Mountain"
BEST DIRECTOR
Ang Lee, "Brokeback Mountain"
BEST SCREENPLAY
Dan Futterman, "Capote"
BEST FIRST FEATURE
"Crash," Paul Haggis
BEST FIRST SCREENPLAY
Duncan Tucker, "Transamerica"
JOHN CASSAVETES AWARD
(for the Best Feature made for under $500,000)
"Conventioneers"
BEST SUPPORTING FEMALE
Amy Adams, "Junebug"
BEST SUPPORTING MALE
Matt Dillon, "Crash"
BEST FEMALE LEAD
Felicity Huffman, "Transamerica"
BEST MALE LEAD
Philip Seymour Hoffman, "Capote"
BEST CINEMATOGRAPHY
Robert Elswit, "Good Night, and Good Luck"
BEST FOREIGN FILM
"Paradise Now"
BEST DOCUMENTARY
"Enron: The Smartest Guys in the Room"
AMC/AMERICAN EXPRESS PRODUCERS AWARD
Caroline Baron, "Capote" and "Monsoon Wedding"
IFC/ACURA SOMEONE TO WATCH AWARD
Ian Gamazon and Neill Dela Llana, "Cavite"
TRUER THAN FICTION AWARD
Ian Olds and Garrett Scott, "Occupation: Dreamland"
INDEPENDENT SPIRIT AWARD WINNERS BY DISTRIBUTOR
Cinema Libre Studio 1
Focus Features 2
Lionsgate Films 2
Magnolia 1
Sony Pictures Classics 3
Warner Independent Pictures 2
The Weinstein Company 2
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